GETTING MY DOOBIE SNACKS EDIBLES 0 20 TO WORK

Notions of looking and voyeurism are addressed spatially and architecturally in “Good For Me.” Within this collection, swooping lines produce a sort of peephole effect that reveals Mundt in two various poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which appears in other paintings while in the